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on Sunday, July 5th, 2009 at 4:10 am and is filed under Post Production.
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5 Responses to “Sound Design for King Kong (Post/production) 6 of 7”
Not sure that works … Not sure that works. See, the Kong of 1976 was about the same color, fur wise, and you could see the blood there. Simply, I think they were so rushed in post production that the most obvious thing was forgotten.
This is an awesome … This is an awesome insight into the post production process and also sound design.
Im very passionate in sound design so its good to also see what goes on in a large scale project.
FINAL MIX Part: 1
July 5th, 2009 at 4:10 am
Not sure that works …
Not sure that works. See, the Kong of 1976 was about the same color, fur wise, and you could see the blood there. Simply, I think they were so rushed in post production that the most obvious thing was forgotten.
July 5th, 2009 at 4:10 am
well i think he …
well i think he does, but because he is very dark and hairy, they perhaps thought you wont see it…
July 5th, 2009 at 4:10 am
Good movies but you …
Good movies but you forgot to let Kong Bleed on the Empire state building. NO ONE gets shot as often as Kong has and NOT bleed.
July 5th, 2009 at 4:10 am
for sho———— …
for sho—————–
July 5th, 2009 at 4:10 am
This is an awesome …
This is an awesome insight into the post production process and also sound design.
Im very passionate in sound design so its good to also see what goes on in a large scale project.
cheers